References

Bolter, J.D. (2001). Writing space: Computers, Hypertext, and the Remediation of Print (2nd ed.) Mahwah, NJ: Lawrence Erlbaum.

Collins, J. B. (Writer) & Zwick, J. (Director). (1987). Ten Speed and a Soft Touch. [Television series episode]. In T. L. Miller & R. L. Boyett (Executive Producers), Perfect Strangers. Burbank, CA: American Broadcasting Company.

Counts, E. L., Jr. (2000). Animating with gifs. International Journal of Instructional Media, 27(4), 357-362.

Don & Brad (2011). Cinemagraphs. Know Your Meme. Retrieved from http://knowyourmeme.com/memes/cinemagraphs

Dragan85 (n.d.) Speech bubble in pop-art style [Photograph purchased from Shutterstock]. Retrieved from http://www.shutterstock.com/pic-99237662/stock-vector-speech-bubble-in-pop-art-style.htmlFrost, R. (1923). Stopping by woods on a snowy evening from

The Poetry of Robert Frost, edited by Edward Connery Lathem. Retrieved from http://www.poetryfoundation.org/poem/171621

Georgieva, M. (2012, September 7).  The ultimate guide to using animated GIFs in your marketing. Hubspot. Retrieved from http://blog.hubspot.com/blog/tabid/6307/bid/33560/The-Ultimate-Guide-to-Using-Animated-GIFs-in-Your-Marketing.aspx

Kopstein, J. (2010, November 9). The GIF that keeps on GIFing: Why animated images are still a defining part of our internets. Motherboard. Retrieved from http://motherboard.vice.com/2010/11/19/the-gif-that-keeps-on-gifing-why-animated-images-are-still-a-defining-part-of-our-internets

Large, A., Beheshti, J., Breuleux, A., & Renaud. A. (1995). Multimedia and comprehension: The relationship among text, animation, and captions. American Society for Information Science, 46(5). 340-348. Retrieved from http://pao.chadwyck.com/PDF/1353776452829.pdf

McKay, S. (n.d.). The affect of animated GIFS (Tom Moody, Petra Cortright, Lorna Mills). Art & Education. Retrieved from http://www.artandeducation.net/paper/the-affect-of-animated-gifs-tom-moody-petra-cortright-lorna-mills/

Moremoholo, T. P. (2008). Can animation be used to improve comprehension of instructional text?. South African Journal of Higher Education, 22(6). 1241-1248. Retrieved from http://web.ebscohost.com.ezproxy.library.ubc.ca/ehost/pdfviewer/pdfviewer?sid=9883f41f-55ab-4245-9f89-48b8365c101c%40sessionmgr15&vid=2&hid=15

Pavlus, J. (2011, April 22). Far better than 3-D: Animated GIFs that savor a passing moment. Fast Co.Design. Retrieved from http://www.fastcodesign.com/1663683/far-better-than-3-d-animated-gifs-that-savor-a-passing-moment

Siwicki, B. (2008, March 31). Putting pitches to the test. Internet Retailer. Retrieved from http://www.internetretailer.com/2008/03/31/putting-pitches-to-the-test?p=1

Sobrito, J. M. (n.d.). View of pumpkins just harvested and ready for sale [Photograph purchased from Shutterstock]. Retrieved from http://www.shutterstock.com/pic-15676111/stock-photo-view-of-pumpkins-just-harvested-and-ready-for-sale.html

Troemel, B. (2011). The GIF’s obsession with compression. Peer Pressure: Essay on the Internet by an Artist on the Internet. Retrieved from http://www.haraldpeterstrom.com/content/5.pdfs/Brad%20Troemel%20%E2%80%93%20Peer%20Pressure%202011.pdf

Weiner, J. (2010, October 14). Christina Hendrick on a endless loop: The glorious GIF renaissance. Slate. Retrieved from http://www.slate.com/articles/arts/culturebox/2010/10/christina_hendricks_on_an_endless_loop.html

Images in the header animated are from Ms. Bacon’s personal photography, purchased from Shutterstock and screencaptured from DVD, respectively. Sources are credited above.